Deadly Ever After

Archive for the tag “Jared Leto”

Julie Gives Unpopular Opinion on Suicide Squad

TODAY’S BREW: Trader Joe’s Winter Blend. AND IT’S SNOWING, IT’S LIKE I’M IN A COMMERCIAL IF TJ’S WAS BASE ENOUGH TO MAKE COMMERCIALS.

By Julie

So I saw the much-hated SUICIDE SQUAD yesterday. (Reel Film Reviews called it “rather aggressively unwatchable,” for instance.) I was skeptical for the following reasons, none of which had to do with reviews:

  1. I’m a die-hard fan of Heath Ledger’s Joker. you-complete-me-joker
  2. And I’ve just never liked Jared Leto. Add to that the unavoidable media frenzy of what a creep he became to stay in character, like sending used condoms to his cast mates, and it was unpromising.
  3. The portrayal of Harley Quinn had me angry before I ever saw the movie.
  4. I’d seen THE KILLING JOKE, (one of three women in the four women in the theater, myself and my friend being half of them, and with good reason), which I’d been looking forward to, and was sorely disappointed.
  5. I’m a Marvel girl at heart, though I adore Batman.
  6. I just can’t Affleck in general, and held a grudge about him being Batman when Bale is so perfect, and I hate Superman. The trickle down of annoyance followed after BATMAN V. SUPERMAN (which I actually liked after seeing it, despite its downfalls), had me not so thrilled for related movies.
  7. I heard Enchantress wasn’t given enough of a role and I really like the idea of that character, but like I find in most DC material, they never fully realizes her potential. (Insert here another time I’ve proclaimed with red face, “AND THAT’S WHY I SHOULD WRITE THIS CHARACTER, GODDAMMIT.”)

HERE’S WHAT I THOUGHT NOW, A BUNCH OF OPINIONS JUST BELCHED OUT AT YOU.

OKAY. So I saw it and (like with BATMAN V. SUPERMAN) was extremely pleased and surprised by the awesome character intro. Viola Davis as Amanda Waller gave these characters all the background they deserved and in a really uniquely villainous, misguided  way that had me hooked. I really loved how varied all their stories were. And like B V. S, I was later annoyed by how much the story fell apart, how half-assed the character development was WHEN IT WAS RIGHT THERE IN FRONT OF THEIR STUPID FACES TO DO, and was left saying, “Well, I probably have to see it again? Or something?”

THE VIOLATION OF THE JOKER: Just like happened with the Affleck Batman, I was made to think differently about the character, and I LIKED IT. I’m a goddamn hard sell on my beloved comic characters being CHANGED UNDER MY FRIGGING NOSE. You know, Leto did something amazing–he made me remember that Joker is a goddamn VILLAIN. Heath Ledger was brilliant, unquestionably. But I loved him. I loved him. I understood him a bit (don’t arrest me), and he was intelligent and so sane about his insanity. About his reasons for not having reasons. And Christ, he was funny. And hot in a creep way. (You determine who the creep is here.)

From Leto’s first moment on screen, I was revolted. HE was revolting. His look, the way he spoke about Harley, the way he treated her in that first scene was just maddeningly gross and demoralizing and everything that could ever be wrong in a relationship, if you could even call it that and not slavery. And then. AND THEN. We see his joy and pride in claiming, “I’m not going to kill you, I’m gonna hurt you, real bad,” when he captures her in Arkham, and then she belongs to him. It gave me flashbacks of THE KILLING JOKE, but way, way worse. I went from revolted to a sort of hysterical nausea with violent undertones of terror. And he just goes on and on to abuse her worse and worse, and she loves him for it. And in spite of him being on screen so little, goddamn did he command a presence that left a shadow throughout every scene of the movie. Congratulations, Leto. I despise you and respect you.

And Harley Quinn. I have so many feelings about Harley Quinn in general. She has a cool factor, most certainly, in the comics, in the merchandise…

And because this is my goddamn blog, I get to go on a short tangent. The DC Superhero Girls toys? Great idea. Good step forward to superheroes being just ONE FUCKING AISLE IN A STORE. NOT BOYS’ SUPERHEROES AND GIRLS’ SUPERHEROES. AISLE THREE, FUCKING SUPERHEROES, THAT’S WHAT THE SIGN SHOULD SAY. And then Lego gets involved, and gives Harley THE POWER OF DATING! the-power-of-dating

Great start, DC. Kill me. Not to mention that Harley Quinn is a sorta tough sell to me on a child’s character. Because no.

Back to the movie. Harley was portrayed as–well, you’ve seen it. Daddy’s Little Monster, in her booty shorts and uber-high heels and pigtails, which is neither here nor there–she can wear whatever the hell she wants. What gets me is the little girl voice and the pandering to her sexuality from the first frame. She’s a psychiatrist. Why is she talking in this annoying frigging voice, sounding like a teenager trying to sound stupider than she is to get the attention–

Oh. Oh, okay. I get it. It’s an act, to a degree. And there is a scene where she puts it on, clearly, and the rest of the squad sees it a bit, and we get a glimpse of her sadness at who she is. There’s a scene where she psychoanalyzes Deadshot as well, through the rose-tinted glasses of her “love,” and we get a glimpse of the perfectly sane Harley underneath. She’s been reduced to this little girl image by the Joker that seems like it starts with the electro-shock that made her generically crazy, but it’s his subsequent treatment of her that makes it come to fruition. So HARLEY I have no problem with in this movie. I think Robbie did a great job with her. It’s, as usual, DC’s treatment of women (see also: Batgirl, for instance, and yes, Lois Lane who everyone seems to love but me), that ruins Harley Quinn. Granted, comics in general sexualize women, but Harley is sort of the pinnacle of it.

And yeah, there’s a disgustingly vivid misogynistic overtone to–basically everything DC. We could talk all day. I mean, even Batman has his moment with Harley, like a true dirtbag, and I don’t like that one bit. Not at all. But as far as Joker and Harley, we’re supposed to detest their relationship. It’s not supposed to be adorably crazy. It’s not supposed to be remotely healthy, or have a bright side. We’re supposed to be disgusted beyond words, and I like to think that the movie was made with this in mind, not ignorantly. Of course, I could be wrong. Though I’m never wrong, you just have a different version of right.

But ENCHANTRESS. Whoa, Nellie, was she kickass. I loved everything about her–Cara Delavigne was great as June Moone, very likeable even from the few scenes we have of her, not as Enchantress. I mean, I want a whole Enchantress movie. I want the novelization. I want the comic series. I want the toys and the artwork. Superb.

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But, like BATMAN V. SUPERMAN, it started out with amazing potential, had me bought in right away, and then the conflict just crumpled. I don’t believe much of it. I don’t believe the world is in danger and that a guy who can shoot and a woman with a bat can fix it. I don’t believe Harley would make the move “for her friends” that she did at the end when her (hurk) “relationship” with the Joker could be restored instead. And I don’t buy that Deadshot would choose Harley’s life over his child’s future. It starts amazingly, then just sorta falls apart in its complexity, just like Affleck vs. Cavill, which I clearly also need to blog about because I have all the opinions.

 

 

Thirty Seconds To Jersey

Today’s Brew: I mixed cocoa with chocolate raspberry and threw some cool whip in it.  Long story short, I’m out of creamer.

by Kristen

Worth the Trip

You’ve got to keep up on your research if you want to remain relevant  in your field.  Thankfully, I’ve chosen some really cool jobs so my research is always pretty fun.  This time, it involved a roadtrip to see 30 Seconds To Mars in Camden, NJ.  I write about characters going on tour with rock bands.  It had been a while since I’d done anything like this, so I had see how we do in 2013.  I can’t be writing about outdated techniques.  That’s not fair to my readers.

(Don’t you love the way I can justify any ridiculous thing?)

So why this show?  It started out as a Twitter conversation that ended up in buying tickets to the show.  My original cohort wound up being unable to go, so my fabulous friend Liz stepped in last minute, not even knowing who the hell they were, besides knowing Jared Leto was hot.  That’s the spirit of these road trips.  You just go, and figure the rest of it out later.

Concert roadtrip techniques seem to be timeless.  Sure, it’s easier to get tickets (on my phone at work) now.  But the rest of the mechanics haven’t changed.  Driving through Connecticut still sucks.  I thought we might be the oldest broads there, not even close.  For a minute I thought I had the sluttiest get up…I still settled in the top 5.  I’m much better at talking my way past security than I used to be.  Now you can buy your way to get an autograph from the band…OK, that’s not so new.  Bands used to do record store appearances all the time.  But now there are no damn record stores.  Bands have done meet and greets forever.  I still think there’s a little more romance (ha!) and intrigue to finding the band somewhere else, like near the bus.  Not that we tried.  Really. I’d tell you if we did.

I hadn’t seen 30 Seconds To Mars in about 10 years.  I saw them when they opened for Sevendust at a club show in Boston.  Even though I’d kept up with them on my own terms throughout their career, I never considered them big enough to play an arena.  The show was good, albeit short.  They mostly played things from their last 2 albums.  The sad thing is A Beautiful Lie came out 8 years ago.  That’s classic rock to a teenager. Half of these people weren’t even born when My So Called life was on.

Sure, you have your whole life ahead of you, but you missed out on this.

It’s hell getting old.  My Memere always used to say it, and now I live it.

We had great seats, but the lighting wasn’t conducive to getting great camera phone captures.  So I pulled these photos off the web.

This outfit seemed a little Tristan like to me.

Even though I was tired for days, I had a great time.  I missed concerts. I missed road trips.  Adult life gets in the way of fun, but this is the shit you talk about years later.  Not doing TPS reports.

Next on the docket:  Dita von Tease and Nine Inch Nails. Not together. That would be too much awesome for one night.

I Am The Best She Claimed And More/A Battle Scarred Conquistador

Today’s Brew:  What is the legal blood coffee content level?

by Kristen

Those lyrics make me picture a tanned, dusty abdomen dewy with sweat. The kind that’s defined and sinewy by having to fight for everything you have. In my mind’s eye, I reach out to delicately trace along the slightly raised, pinkish lines, the newly healed skin telling its own unique story.

And that’s before I know it’s a Thirty Seconds To Mars song.

If you’re a heterosexual woman in your twenties or thirties and the words “Jared Leto” don’t get your spidey sense prickling, I suggest you have your pulse checked.  You might have left him behind, trapped in your 90’s memories as Jordan Catalano. Let me tell you, NO ONE leans against a locker like Jordan Catalano.

But that’s not important right now.

This post isn’t about Jordan Catalano, it’s about Jared Leto.  That voice.  I bring up My So Called Life only to reference the episode when Rayanne joins the Frozen Embryos, has stage fright, so Jordan Catalano takes over singing for her.  You know what that voice sounds like.  Velvety and seductive like a lover you don’t quite get to see in the dark, but you feel no shame from this encounter because something like that can’t possibly be wrong.

Chatting with Melissa Petreshock this morning on Twitter, she mentioned Jared considered himself a vampire. Claimed to drink blood to keep himself young. Rock Stars. Vampires. You know, the very thing I write books about?  Like I needed another reason to swoon over this man or his band.

Even though Jared has not directly influenced any of my characters, YET, he perfectly fits the prototype of a Tristan or a Ryder. He hates being known as just a pretty face. He wants to explore his artistry without the confines of what the industry or the powers that be expect of him. He’s extremely talented. And he draws you in without you even realizing he’s got you.

To me, that’s where the seduction of a musician and a vampire intertwine.  The lure. The offer of something no one else can provide you with. The escape from every day. The promise of a moment in time being frozen forever.

 

 

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