Deadly Ever After

Archive for the month “August, 2016”

Cover Reveal! (and so much more) PRETTY WICKED by Kelly Charron

 

TODAY’S BREW: It’s 95 degrees. I AM a cup of coffee

By Julie

SO EXCITED FOR THIS BOOK. I don’t tell you guys enough what I’m reading. I’ll do that soon, but for now THIS BOOK.

Pretty Wicked Printable 330 6x9

 

About PRETTY WICKED:

The daughter of a local police detective, fifteen-year-old Ryann has spent most of her life studying how to pull off the most gruesome murders her small Colorado town has ever seen.

But killing is only part of it. Ryann enjoys being the reason the cops are frenzied. The one who makes the neighbors lock their doors and windows on a hot summer’s day. The one everyone fears but no one suspects. 

Carving out her own murderous legacy proves harder than she predicted. Mistakes start adding up. And with the police getting closer, and her own father becoming suspicious, Ryann has to prove once and for all that she’s smarter than anyone else—or she’ll pay the ultimate price. 

Praise for Pretty Wicked: 

 

“This creepy novel places you inside the mind of a twisted teen killer, which is even more unsettling because of how familiar and normal she seems. Be prepared to leave the lights on and look at the people around you in a whole new way.”

 

-Eileen Cook | Author of WITH MALICE

 

 

“Dark and haunting, this witty thriller with its petite feminine anti-hero is an American Psycho for teens. Be prepared to sleep with the lights on.”

 

Lisa Voisin | Author of THE WATCHER SAGA

 

 

“Pretty Wicked is fresh, thrilling, and deeply haunting. I’ve never read anything like it! The story escalates from page one and will leave your pulse pounding as you wonder just how far Ryann will go. 5/5 stars.”

 

Tiana Warner | Author of ICE MASSACRE & ICE CRYPT

 

NOW I WILL LET YOU READ SOME, LOOK:

 

I heard the bell ring in the distance. Lunch was over. I leapt up to go when I was struck with panic. What if someone had seen me walk out there with Veronica? No one could know what I’d done. My breath hitched.

I ran as fast as I could back to the yard and to the first teacher I saw.

“Mrs. Hopkins! Come quick, Veronica’s really hurt!” I pretended to be hysterical so effectively that she couldn’t understand me the first few times.

She bent down so we were at eye level. “Where?”

“We went into the woods at the far end of the property. I’m sorry. I know we’re not allowed, but she fell and she’s not moving! You have to hurry!” I sobbed, shoulders shaking, snotty nose. I don’t know how I’d managed to look so distraught, but I nearly convinced myself.

Mrs. Hopkins turned to a kid named Austin, who was in the grade ahead of me. “Go get Mr. Chute. Tell him to call 911 and to come out and meet me in the woods.”

Austin, who was paper white, nodded and took off like his ass was on fire.

I ran back with Mrs. Hopkins to the rocks where I’d left Veronica. She was in the exact position I’d left her. Thankfully there was no miraculous recovery waiting for us.

After she was taken away in an ambulance, Mrs. Hopkins and Mr. Chute walked me back and called my parents.

My dad showed up to the school, hugged me, and told me how brave I was.

After my mother had finally stopped fussing and checking on me every twenty minutes, I sat on my bed and thought about Veronica. It would be weird not to see her in class every day or hang out with her at lunch, not that we hung out that much. I was usually with Bao-yu anyway, but sometimes she came along. Maybe now B and I would be better friends. She wouldn’t have to share me anymore.

I wondered what I was feeling—if I was missing Veronica. But I didn’t think that’s what it was. The twinge in the bottom of my stomach didn’t have the achy hollowness that people refer to as a pit. It was more like butterflies.

 

 

 

Link for Amazon: 

https://www.amazon.com/Pretty-Wicked-CharronKellyebook/dp/B01KAX8VLQ/ref=sr_1_6?ie=UTF8&qid=1471040176&sr=8-6&keywords=pretty+wicked#nav-subnav

 

Link for Goodreads: https://www.goodreads.com/book/show/31394680-pretty-wicked?ac=1&from_search=true

AN INTERVIEW WITH THE WONDERFUL LADY WHO WROTE THIS SCARY-ASS BOOK!

 

Questions about Pretty Wicked:

 

  1. What inspired you to write such a dark character?

 

I’ve always been fascinated with psychology and human motivation. Whenever I read a novel or watched a movie or television show, I was drawn to the villain. I wanted to understand what made them act the way they did––delve into what happened in their lives or minds to make them the person they had become.

 

When there was the odd story from the “villains” point of view, it seemed to characterize them as “misunderstood” and usually spun them into a likeable character who was the hero of that new version of the story. I wanted to write something unique and portray the villain realistically. What would the story look like if they were a true villain? I got the idea for a teenage serial killer who was unapologetic about who she was and what she wanted and thought it was really interesting to explore what her point of view would be if she drove the story and the “villain” was the detective trying to stop her.

 

  1. Is this your first novel?

 

Pretty Wicked is the second book I wrote and the first to be published. I have been writing for ten years. My first book was a YA urban fantasy that took me seven years to complete because I kept stopping for huge chunks of time while I completed my degrees (English Lit and Social Work). I finally got serious about writing in 2013 and have just completed my fourth novel.

 

  1. Why did you choose to self-publish?

 

I did query it to literary agents and received a lot of positive praise for the book. In the end I kept hearing the same feedback: it’s a fascinating concept, the writing and voice are great, but we don’t think we can sell such a dark book to a publisher. I completely understand this. I know this book is going to be very polarizing. People will either love the concept of hate it. So far I have had overwhelmingly encouraging feedback from readers who understand that this is a fictional story that is trying to do something different from most novels. There was some interest from small publishers but the wait times were longer than I was comfortable with. I decided if I wanted to see this book out in the world I was going to have to do it myself. It was an intimidating process, but luckily I have an amazing and brilliant support group who helped me along the way.

 

  1. What genres do you write in?

 

Psychological thriller, urban fantasy, and horror. I have two YA urban fantasy books, though one may never see the light of day. It’s my first book and would need to be rewritten before I decide its fate. The second (currently titled Wilde Magic) is the first in a planned series that I am very excited about.

 

Here is a short blurb:

 

The novel follows fifteen-year-old Ainsley Davenport as she moves from her life in Maine to attend a prestigious boarding school in Massachusetts after her widowed mother marries a wealthy man that she can’t stand. At Ashbury Academy, Ainsley meets a group of students whom she finds more sophisticated and exciting than any kids she’s ever encountered. Ainsley is pulled into a world of wealth and extravagance, but it isn’t long before she realizes some things aren’t adding up and there is more to Ashbury than meets the eye. One of the oldest covens in history, The Wildes, is hidden beneath the school grounds. Magic is alive and well, and the coven is actively training new witches in this secret enchanted society. Ainsley soon recognizes that she may be in over her head when she uncovers secrets that she was never meant to know. The magical kind. The deadly kind.

 

  1. Is Pretty Wicked a standalone novel?

 

The Pretty Wicked series will continue with adult books. The sequel, Wicked Fallout, is currently going through editing and the third book in the series is brewing in my mind. I have some very fun ideas for Ryann.

 

Wicked Fallout takes place twelve years later when Ryann is 27 years old. That’s all I can say right now as to not reveal spoilers.

 

  1. Ryann is not a very likable character. Do you like her?

 

I actually do. I really enjoyed writing her. I don’t agree with anything she does at all! In that sense, Ryann is deplorable! But what I like is her humor and wit and the way she owns who she is. She was a fun character to write because she is so different to most characters out there. It’s like when you see a Hollywood actor discuss their favorite roles. Often they say the villain roles were their preferred because it was more fun and exciting to play. There are forbidden elements that make it a bit more exciting than the standard hero. It’s no different for me as the writer.

 

  1. What is your writing process?

 

I have a day job so writing usually happens in the evenings and on weekends. I work in a school so I am fortunate to have shorter days, two vacation break periods, and summers off which really help me carve out the time needed.

 

On a writing day (Saturday or Sunday) I will get up, shower, eat breakfast, procrastinate with some TV and then get to it. I’ll make a coffee and park myself on my couch (even though I have a beautiful desk in an actual home office). I’ll write for about 2-3 hours (about 1500-2000 words on average). I may do another session later that evening if I’m really inspired. I watch a lot of television and read widely to inspire my creativity and ideas.

 

I also have an amazing group of friends who are writers as well and we meet up to have writing and brainstorming sessions, which is fantastic!

 

kelly charron

 

Kelly Charron is the author of YA and adult horror, psychological thrillers and urban fantasy novels. All with gritty, murderous inclinations and some moderate amounts of humor. She spends far too much time consuming true crime television (and chocolate) while trying to decide if yes, it was the husband, with the wrench, in the library. She lives with her husband and cat, Moo Moo, in Vancouver, British Columbia. 

 

Connect with her:

 

Sign up for her mailing list or check out upcoming books at: http://kellycharron.com

 

Twitter: https://twitter.com/KellyMCharron

 

Facebook: https://goo.gl/UNkH3g

 

Goodreads: https://goo.gl/rf4NlM

 

 

 

 

 

 

 

 

 

 

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ALL MY OPINIONS ON WRITING by Julie

TODAY’S BREW: So much water, all the water I can find except toilet water

By Julie

Oh, some people probably won’t like this.

I’m seeing on Twitter lately an awful lot of writers feeling down on themselves for a variety of reasons. This is probably as ranty as you’ll ever see me. PREPARE FOR THE ALL CAPS. Were you ready?

A lot of people say, “Stop putting it off. Stop looking for the right time. Just do it.” Then a lot of other people say, “So if I can’t write every day I’m not a real writer? Stop telling me what to do. I have REASONS.”

FIRST OF ALL, WRITING ADVICE IS LIKE PARENTING ADVICE. LISTEN TO SOME, BLOW OFF WHAT DOESN’T WORK FOR YOU. THERE IS NO NEED TO DEFEND YOURSELF. THERE IS NO NEED TO LIST YOUR REASONS. YOU HAVE NOTHING TO PROVE TO ANYONE BUT YOU. NOBODY IS SAYING YOU HAVE TO DO IT X WAY.

Next, I see a lot of people skulking in the shadows about a certain pitch contest IT’S CALLED PITCH WARS. I HAVE OPINIONS. (shocking)

First, I have a problem with pitch contests in general. Publishing is a beast. You’re the tiny wave in the big ocean no matter what you do. It’s a fact. You’re one of thousands doing exactly what you’re doing, fighting to be heard, to be represented, to see your book on shelves, to just FINISH YOUR BOOK sometimes. Adding to that a peer-driven contest in a fight that we’re all TOGETHER in adds a layer of stress that just doesn’t need to be there. There are lots of success stories, lots of them, I’m sure. But I find that the people entering are scared to death more often than not, if they don’t get picked they feel like failures, and it’s all over Twitter constantly, in a positive way consistently, but if you’re one of the folks not entering? IT IS ALL YOU SEE. It creates this behind-the-eight-ball feeling at best. For me, it’s a struggle to see mentors talking about all their likes and dislikes personally while everyone else waits to see if it’s them they’re talking about. We are each other’s peers. Support comes in many ways, and I find adding competition to it to be the exact opposite of how I feel: that writing isn’t a competition. There’s room for everyone to write.

Which brings me to my next THING TO RANT ABOUT. Writers worry about failure. We worry about failure constantly, then put ourselves out there in a world where failure is fairly inevitable much of the time. You can feel to finish the book. You can fail to start it. You can fail at querying, at self-publishing, at traditional publishing, at NaNo, at revising, at getting agented, at your own goals every day. AND YET WE DO IT.

In regards to pitch contests, this works against us. Because there are a lot of folks that worked their asses off that didn’t get picked to be on the dodgeball team. They took a lot of hits, and still didn’t make it. Two things about this:

  • WHY IN HELL WOULD WE PUT EACH OTHER IN THIS POSITION WHEN WE GODDAMN LIVE IN THIS POSITION??
  • YES, MANY OF US WILL NOT BE CHOSEN ONES. BUT WE DID NOT START WRITING TO GET A TROPHY FOR PARTICIPATION.

Failure is in the eye of the write-holder. (I made up “write-holder.” *jazz hands*). Did you start writing because you wanted a trophy? Because you wanted to prove yourself to a bunch of people you met online? Because you thought it would make you rich? Because you thought it was easy? Because you were looking for an award for just showing up? NO. YOU DIDN’T. YOU WRITE BECAUSE YOU NEED TO WRITE. YEAH, THAT’S RIGHT, I’M SAYING “YOU,” BECAUSE I AM NOT JUST SPEAKING FOR MYSELF. SHOW ME THE WRITER THAT DOES IT FOR ANY OTHER REASON THAN THAT THEY NEED TO, AND I WILL SHOW YOU A PERSON THAT HAS SPENT TOO LONG OUTSIDE THEIR OWN HEADS.

Do NOT let other writers and mentors, or agents and editors or ANYBODY ELSE make you feel like a failure. WRITE THE BOOK YOU WANT TO WRITE. IT MAY NOT BE AN AWARD WINNER, IT MAY NOT BE SOCIALLY RELEVANT, IT MAY NOT BE AN AMERICAN CLASSIC BUT IF IT IS THE BOOK YOU WANTED TO WRITE, COMING ACROSS THE WAY YOU WANTED IT TO IN THE END, THEN NO AMOUNT OF AGENTS, PEERS, REVIEWS, ANYTHING CAN MAKE YOU FEEL LESSER ABOUT WHAT YOU’VE CREATED.

YOU WRITE BECAUSE YOU HAVE YOUR OWN VIEW OF THE WORLD AND IT’S ONE THAT HASN’T BEEN SEEN YET. DON’T LET ANYONE MAKE YOU FEEL LIKE IT’S NOT GOOD ENOUGH.

AND ANOTHER THING. *YOU* CAN CONTROL THIS FEELING. NOBODY ON THE OUTSIDE IS GOING TO MAKE ME FEEL LIKE THE THING I CREATED ISN’T GOOD. NO CREATION IS BAD. NO. CREATION. IS. BAD.

*breathes deeply* *coughs*

So, I would also like to say that no matter what stage you’re in of writing, you are no less a writer than published ones, famous ones, self-pubbers, traditional pubbers, none of them. You’re a writer if you write. Every writer has moments of self-doubt. That’s good. Self-doubt makes us work harder. I had the conversation earlier today with a writer that said she was starting a book that was so ambitious it was inconceivable even to her. I said that’s the work that’s always best because we worry over it so much that there’s no chance of anything slipping by. But you do have to write it to find out.

And we come full circle. Telling writers that they have to write is like saying you’re not a student unless you go to school. You’re not an architect unless you build. You’re not a Subway employee, especially if you just go behind the counter and start making sandwiches and get removed from the building. What.

It is a fact. TO BE A WRITER YOU HAVE TO WRITE. Nobody is trying to make you feel bad about yourself when they say it. They’re trying to encourage you to create the thing you want to create, even if maybe you don’t feel like it. I don’t feel like going to the gym a lot but I always feel better after I did it. Unless I didn’t eat first, and then I mostly pass out. But anyway, don’t fail yourself by looking for ways out of writing. Whether it be every day, every week, only on Christmas, whatever. Coincidentally, if anyone tries to tell you that your process of writing is the wrong one? They suck. We are writers because we suck at sticking to rules. Because we were tired of looking for approval. Because we create, and do it our own way.

THE ONLY STEADFAST RULE THAT CAN’T BE BROKEN BECAUSE IT IS GODDAMN SCIENCE IS THAT TO BE A WRITER YOU HAVE TO WRITE.

No one is better than you at telling your story. Nobody else can do it like you do. Write it for you, not for anyone else’s approval, and you’ll shrug when even the most disappointing of “rejections” or bad reviews roll in. Above and beyond anything else, writing doesn’t have to be solitary, but it starts there. Trust yourself, writers. You know what to do.

Julie’s Version of a Strong Female Character

TODAY’S BREW: Chocolate Mint until my heart grows legs and runs away

By Julie

joss whedon quotes

This quote from the almighty Whedon makes me swell with pride. That strong women are on the radar, that we’re moving forward. Also, like Joss, IT INFURIATES ME AND MAKES MY INSIDES BURN LIKE A FOREST FIRE.

I’m overjoyed–OVERJOYED–to be writing fresh words again (ahem, the mark of a strong woman), on the sequel to a book that I finished (strong). The main characters are five witches. I’m going to account for here, what makes them strong, and there probably won’t be anything about magic.

  • they’ve all faced oppression, abuse, questionable (gently worded) parenting methods, and still face every day
  • they make lots of mistakes, and keep moving forward
  • they learn to support each other despite coming from a place where they were taught to hate each other
  • their sexuality and identifications. Enough said.
  • they’ve been called failures and fight to prove to themselves that they’re not–even when they fail
  • they break rules that don’t work and make new ones, that sometimes work but often don’t and they keep making more
  • the way they fight their Big Bad has yes, a lot to do with magic, but a lot more to do with overcoming their fears and thinking outside the rules set for them
  • they get back up
  • they all have vices, none of them are solely “good,” and none of them are “the bad girl with a heart of gold,” or the villain. They’re all more than one thing.
  • they’re seventeen–and hold a world together out of necessity. They’re afraid and they still do it. They do it because they’re afraid. They look for answers to find a way out of it. They screw up a lot, sometimes irreversibly. They move on. All traits of what strong adults do, and what strong adult women do. It starts somewhere.

None of them know karate. None of them are trying to prove themselves to a boy. Some of them have body issues, some of them have drug problems, some of them are smart-mouthed but it’s not the only thing that defines them. They’re more than one thing. I didn’t write them with the intent of being “strong female characters,” I wrote people. I wrote people I’d want to know, people with thick stories, opinions, journeys within themselves to take. I didn’t write them “as teens,” I wrote them as people.

IT’S TRUE, TEENS ARE PEOPLE AND THAT’S NOT THE ONLY THING THEY ARE.

The thing about each of these young women that I think is cool is that if you were to ask them what makes them strong, their answers would be widely varied, if they thought they were strong at all.

What we think of them is not necessarily what they think of themselves. Not everyone will agree on what makes a person strong–or a girl strong–or a woman strong. One thing that is true without question is that it will be questioned whether or not they’re strong female characters.

To that, I say, I don’t have to prove a thing to anyone.

 

 

 

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