Deadly Ever After

The Writing Adventures of The Undead Duo–Julie Hutchings and Kristen Strassel

How To Be A Mad Scientist

TODAY’S BREW: Cinnamon Pecan Pleasantries. (I added the “Pleasantries.” It sounds better.)

By Julie

I’ve been in the house A LOT. Between editing THE ANIMAL immediately after finishing RUNNING AWAY, and editing for clients the whole time, along with a new schedule around here, I’ve been grounded. Kristen has felt the same way, and with the weather warming up, it makes us both restless on top of it.

With every edit I do, I’ve been getting the itch to write something new, desperate for that clacking of the keys for an extended time, instead of just the occasional line here or there. Being trapped in the house doesn’t exactly lend itself to creativity always, but it doesn’t have to detract from it either. The job of the writer is to make the ordinary into something deliciously new. Make the flatline start beeping again. Kick over the anthill to see what’s inside. (It’s ants.)

The creative person needs to change their world, not wait for their world to change for them. Such is my epic hatred for the “finding of the muse” that so many talk about. You control your creativity, no fucking mythical bitch is going to bring it to you. The creative type is a warrior, fighting for their voice to be heard, not the princess waiting to be saved. You want inspiration? Look for that shit. You don’t have to drive across country to get it, do some life-threatening thing like hangliding or whatever, you can get it by looking at the stuff you look at every day differently.

I’m somewhat of a militant when it comes to writing. My creativity works for me, not in spite of me. I want that spark of inspiration, and so I look for it, actively and with venom in my veins. I scout through Pinterest as a job. Not a hobby, a job. I searched “empty containers” the other day for probably an hour and a half, and from it gleaned an entire storyline that I WANTED. My idea was vague and I researched every aspect of what would go into it in order to make it come to life. That means the dull stuff, too. Because dull stuff made magical is what writing is all about. Be inspired by stupid crap as a choice, not a stroke of luck. Make your art sing for you. Be the composer, not the conductor.

Here’s a little trick that I practice when exercising my brain to write. Because, indeed, you have to work the muscle that is your mind. I like to find an ordinary picture of a thing and another picture of something that really speaks to me, and try to weave them together. Now, you get a little sneak peek. A picture like this:

The Witch of Empty Things. She's a serious motherfucker. Stares at these empty frames for hours, picturing them full. You don't want to know of what.and what it would mean to this person:

Stunning portrait.Now, how could I fit in something like this?

The Witch of Empty Things needs a container to carry. Could our MC give her a new one to keep her good thoughts in, ones like this? "I know you're afraid to look at the sky, so I wanted to bring some of it down to you." 5 Tiny STAR shaped clear glass vials with cork and free eyehooks on Etsy, $5.50What do they have in common? How would she see them working together? How do they challenge her, and what does she do to rise to the challenge? Who’s the person that throws a wrench in her thoughts of them?

Creating is a process, and like any process it needs to be altered, added to, and be reshaped for new purposes all the time. Making a story is like being a mad scientist…putting things together that nobody else thinks of, making explosions and rebuilding, thinking of things that are so far-fetched they make people stare at you with gaping mouths, and then making them see it with as much gusto as you do.

Now, I have a crazy ass book to write, if you’ll excuse me.

 

 

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2 thoughts on “How To Be A Mad Scientist

  1. This is a great blog post. ❤

  2. wow……really interesting…..maybe you should read Domestic Bliss

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